It Arrives
The first person
Her head like a turtle. Cannot be entered
But it houses everything I need to know
A helmet of curses is riveted to her skull
A small gray feather, tufted at the bottom, blunted at the tip
I pick it up and drop it in the poem
Enter the genocidal poet, bowing a gusle with a raptor for a head
Is there nothing that can’t be sung?
A narrator tells it
Rain washes the bones up that the soldiers have dug up and scattered in pockets of earth
The Poet of War Crimes, who heals all ailments of men and of beasts, enters the Madman Café
He sips red wine and bows the fiddle
A reporter calls out, Is there anyone here who was raped who speaks English?
The gusle’s head is an eagle. Its vibrating string, a mosquito
Rain brings memories of what a girl used to savor
In his epic, the Poet of War Crimes foretold
Rain touches the face of the woman who was the girl who chased thunder
No one can enter
Not the reporter
After a lifetime of forgetting, the memory is unearthed
Letters from the front [1]
In the hundredth wartime concert by the string quartet, the cellist discovered a better fingering
The noose around the city could not contain the song a young man wrote to sing its grief
They became impatient with their own misery
Give me chocolate!
Snipers targeted the bridge. The messenger bicycled across it
A husband tiptoed over glass to buy his wife “a beautiful little vase”
Who stayed? Remnants of families. Kasim and Amra, Zlatko, Silly Kika
What did they wear? The single garment of destiny
Hunger recounts it
Burned the last stick of stove wood. Swept up wood chips to sustain the fire
Burned magazines. Watched figures crackle and release green, gaudy flame
Axed the old wardrobe. Axed the dresser, the small square table and the chair
In a killing jar, who needs a headboard and turned bedposts
Began to burn the books, first the history, last the poetry, page by crumpled page
No no, give that to me, a neighbor insisted, trading Akhmatova for kindling from the graves
Gathered scraps for a feast to celebrate liberation from the material
For a few hours became furnaces
Buried hands in pockets. Burned the last thought
Chorus of women in black
He lived on our street
He ate in the restaurant where we spent long evenings speculating about him
He was one of us, among us, in the shadow life of our country
In the corner pub, under his own portrait, he intoned the epic that makes music of his deeds
We re-trace his trail, follow strands of women’s hair through a forest strung with whispering women’s voices
The poet myth
The women in black as Furies
It was we who heard the muffled suffering of the women
Who ferried them medicine and chocolate
Who carried to the capital the stories no one wanted to believe
With our bodies we spelled them out in seven languages
He stands defiant in the witness box
Swelling and emptying
No syllable gets by us, no exchange of glances with the women who come to support him, who resemble us
We fasten ourselves upon him
The narrator tells it
A small thing lost in the woods
A small thing
Alarums raced through treetops
A homely thing that dropped from her pocket the day her mother failed to call her home
Fists punched through the forest floor
Feathers floated down on her
And always the hammering. Yammered obscenities
A slippery thing, she buried it
Is there nothing that can be unsung?
Tattered, it arrives
She speaks
Her first poem:
Not yet
The love I crave
Not yet
Her second poem:
I have no weapon
Still I am able to get into
Ignorance
Her third poem:
I know that fear exists
And is somehow
Necessary
Her fourth poem:
I will
Come up among
The living
REFERENCES
Printed from Cerise Press: http://www.cerisepress.com
Permalink URL: https://www.cerisepress.com/01/02/it-arrives